Master Vinyl Explained

In the early days cds were typically mastered from the lp master calbi explained.

Master vinyl explained.

This second one is the kind that is mostly used for fabrics because it is ironed onto your surface t shirts hats tote bags and so on. Parlophone records used emi code structure but other manufacturers may and indeed do use different code structures. Vinyl was still no. Only use an audio cd r for vinyl production if absolutely necessary due to manufacturing limitations.

When possible and if clients want to have a vinyl version of their single or album mastering with more dynamics in mind for vinyl is the right way to go so yes you end up having a more dynamic master for vinyl and a more squashed but hopefully still somewhat dynamic digital master. Having just returned from a special buying event that was presented by one of the largest manufacturers of flooring in the world and was once again reminded that lvp or vinyl plank is the fastest growing flooring category in the us today. Repress reissue and remaster explained i ve heard a few stories of people walking into local record stores with sealed reissues of rare albums under the impression the item was an original and worth big money. The 1 part is the important part because we can see what master this vinyl was pressed from 1 being the earliest possible for this particular album pressing.

Steam from the press. All copies or duplications of the audio come from the master. Some vinyl manufacturers may request that your audio masters be sent on an audio cd r. Audio cd r is limited to 16 bit 44 1k sample rate and is generally not a good way to submit transfer or store a master.

These copies can be distributed on multiple formats like vinyl cd s or tape and streaming services like spotify itunes and soundcloud. Again all these variations are outside the scope of. Cd and cassette masters. The two most basic types of vinyl are the regular adhesive backed vinyl and htv or heat transfer vinyl.

Direct metal mastering dmm is an analog audio disc mastering technique jointly developed by two german companies telefunken decca and georg neumann gmbh toward the end of the 20th century after having seen the same technology used by rca princeton labs for its selectavision videodiscs in the late 1970s. The term itself comes from the idea of a master copy. Records manufactured with this technology are often marked by a dmm logo on the. Next the stamper is placed in a hydraulic press and vinyl is sandwiched in between.

It wasn t until the mid 80s that we starting mastering for cd. Stampers are just negative versions of the original recording that will be used to make the actual vinyl records. The metal master is then used to create a metal record also called the mother which is then used to form the stamper.