Mastering For Vinyl Vs Cd Cdbaby

Upon final approval you can use the mastered wav files from the soundlab to complete your submission to cd baby.

Mastering for vinyl vs cd cdbaby.

Apple has created a process to optimize your sound for digital release and the soundlab is approved to provide audio mastering tailored for songs sold on itunes and streamed. They offer swift turn times on record pressing multiple record sizes and speeds 12 7 33s 45s as well as a spectrum of beautiful custom vinyl colors. The most revenue streams for your music. The wav files for your vinyl pre master can be at the native sample rate of your original mixes and or mastering session meaning higher than 44 1k cd quality.

Who is the best digital distributor. Creating a single wav for each side of the record will ensure that no changes with the space and timing between songs can occur at the lacquer cutting stage. Mastering must happen prior to submitting your album or single to cd baby. This is the most comprehensive and accurate digital distribution review comparison piece on the web.

According to the cd baby website over 500 million has been paid out to independent musicians labels and songwriters for cd and vinyl sales streams and download sales on digital music platforms such as apple spotify pandora itunes google play amazon etc sync licensing fees youtube ad revenue publishing royalty collection worldwide. Digital is not limited by physical space. Streaming downloads cd vinyl sales youtube monetization sync licensing publishing royalty collection direct to fan sales more anywhere you can earn money from your music cd baby is getting you paid. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.

Vinyl masters are usually sent as two wav files one for each side. So if you decide to sell vinyl that s another reason to make sure your mix is not overly compressed before mastering. The soundlab delivers professional quality audio mastering at prices indie artists can afford and their work is 100 guaranteed. Mastered by brian lipski in the blue mastering room using our gml 9500 analog mastering eq and laid to 1 4 tape on our ampex atr 102.

For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all.